I like your idea about relating animals and animal-like characteristics to evil and homicide.
Plot[ edit ] Illustration for "The Black Cat" by Aubrey Beardsley — The story is presented as a first-person narrative using an unreliable narrator.
He is a condemned man at the outset of the story. He and his wife have many pets, including a large, beautiful black cat as described by the narrator named Pluto.
This cat is especially fond of the narrator and vice versa. Their mutual friendship lasts for several years, until the narrator becomes an alcoholic. One night, after coming home completely intoxicated, he believes the cat to be avoiding him. When he tries to seize it, the panicked cat bites the narrator, and in a fit of drunken rage, he seizes the animal, pulls a pen-knife from his pocket, and deliberately gouges out the cat's eye.
From that moment onward, the cat flees in terror at his master's approach. At first, the narrator is remorseful and regrets his cruelty. And then came, as if to my final and irrevocable overthrow, the spirit of perverseness. That very night, his house mysteriously catches fire, forcing the narrator, his wife and their servant to flee the premises.
The next day, the narrator returns to the ruins of his home to find, imprinted on the single wall that survived the fire, the apparition of a gigantic cat, with a rope around the animal's neck. At first, this image deeply disturbs the narrator, but gradually he determines a logical explanation for it, that someone outside had cut the cat from the tree and thrown the dead creature into the bedroom to wake him during the fire.
The narrator begins to miss Pluto and hate himself for his actions, feeling guilty.
Some time later, he finds a similar cat in a tavern. It is the same size and color as the original and is even missing an eye. The only difference is a large white patch on the animal's chest. The narrator takes it home, but soon begins to fear and loathe the creature, due to the fact that it amplifies his feeling of guilt.
After a time, the white patch of fur begins to take shape and, much to the narrator's horror, forms the shape of the gallows. This terrifies and angers him more, and he avoids the cat whenever possible. Then, one day when the narrator and his wife are visiting the cellar in their new home, the cat gets under its master's feet and nearly trips him down the stairs.
To conceal her body he removes bricks from a protrusion in the wall, places her body there, and repairs the hole. A few days later, when the police show up at the house to investigate the wife's disappearance, they find nothing and the narrator goes free.
The cat, which he intended to kill as well, has also gone missing. This grants him the freedom to sleep, even with the burden of murder.
On the last day of the investigation, the narrator accompanies the police into the cellar. They still find nothing significant. Then, completely confident in his own safety, the narrator comments on the sturdiness of the building and raps upon the wall he had built around his wife's body.
A loud, inhuman wailing sound fills the room. The alarmed police tear down the wall and find the wife's corpse, and on its rotting head, to the utter horror of the narrator, is the screeching black cat.
The terrified narrator is immediately shattered completely by this reminder of his crime, which he had believed to be safe from discovery, and the appearance of the cat.
As he words it: At the time, the publication was using the temporary title United States Saturday Post. Near the beginning of the tale, the narrator says he would be "mad indeed" if he should expect a reader to believe the story, implying that he has already been accused of madness.
Since the narrator's wife shares his love of animals, he likely thinks of her as another pet, seeing as he distrusts and dislikes humans. Additionally, his failure to understand his excessive love of animals foreshadows his inability to explain his motives for his actions.
The narrator's perverse actions are brought on by his alcoholisma "disease" and "fiend" which also destroys his personality. Poe owned a black cat. The writer of this article is the owner of one of the most remarkable black cats in the world - and this is saying much; for it will be remembered that black cats are all of them witches.Surrounding yourself with people who understand what it’s like to grieve the loss of a cat is one of the most important things you can do.
If you feel alone – and if you are alone because you isolate yourself – then you may take longer to heal. In “The Tell-Tale Heart,” the narrator confesses a love for an old man whom he then violently murders and dismembers.
The narrator reveals his madness by attempting to separate the person of the old man, whom he loves, from the old man’s supposedly evil eye, which triggers the narrator’s hatred.
The black cat is the tell tale heart minus the weird eye, plus a cat. -- Anonymous, January 22, The conditions might be different, i.e, in "The Black Cat," the narrator has little control over his emotions, and it is reasonable to assume the cat has caused him to act as he did.
The Tell Tale Heart And The Black Cat Essay - In the stories “The Tell Tale Heart” and “The Black Cat” by Edgar Allen Poe, the true motive or feelings behind the confession of .
In "The Black Cat" the narrator says it is just his way of unburdening his soul before he dies; for "The Tell-Tale Heart" the narrator tells his story in a desperate attempt to prove that he isn't. "The Black Cat" is a short story by American writer Edgar Allan Poe.
It was first published in the August 19, , edition of The Saturday Evening rutadeltambor.com is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart".In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by.