Goodwill and its Amortization: For example, a business may be well liked, even loved, by most of its customers but possess no economic goodwill. And, regrettably, a business may be disliked by its customers but possess substantial, and growing, economic Goodwill. So, just for the moment, forget emotions and focus only on economics and accounting.
The fourth-graders were unanimous: Quicksand doesn't scare them, not one bit. If you're a 9- or year-old at the P. Big waves at the beach that might separate a girl from her mother.
Thirty years ago, quicksand might have sprung up at recess, Quicksand analysis essay example pools of discolored asphalt or the dusty corners of the sandbox—step in the wrong place, and you'd die.
But not anymore, a boy named Zayd tells me. There isn't any in this summer's fantasy blockbuster Prince of Persia: Sands of Time or in last year's animated jungle romp Up. You won't find quicksand in The Last Airbender or Avatareither.
Giant scorpions emerge from the sand in Clash of the Titansbut no one gets sucked under. And what about Lost —a tropical-island adventure series replete with mud ponds and dangling vines?
That show, which ended in May, spanned six seasons and roughly 85 hours of television airtime—all without a single step into quicksand.
A pool of water, thickened with oatmeal, sprinkled over the top with wine corks. It was, in its purest form, a plot device unburdened by character, motivation, or story: My god, we're sinking!
Will we escape this life-threatening situation before time runs out? Those who weren't rescued simply vanished from the script: It's too late—he's gone. Advertisement The alternative was no less random: Surviving quicksand has always required more serendipity than skill.
Is that a lasso over there? A tendril from a banyan tree? Cuse throws up his hands at the thought. If you're working in an old genre, you have to figure out ways to make it fresh.
The heroes are standing in muck, but the danger has been transposed from the vertical to the horizontal—it's not sinking; it's crushing. A full generation has elapsed since that evolutionary step was taken in Why does one gag fall by the wayside while another soldiers on?
Movie villains have long since given up tying their victims to the railroad tracksyet they never seem to weary of planting time bombs. Think how many colored wires were snipped in The Hurt Locker.
Time was, a director could sink a man in the desert and still win the Oscar for best picture. Today, that gimmick has been scorned in third-rate schlock. Whatever its Q scorequicksand has always been more than a popcorn-spilling antic. As a literary metaphor and an expression of entanglement, the image dates back hundreds of years.
As rhetoric, it once ruled the foreign-policy debate: Vietnam was "the quicksand war" before it was a quagmire; half a million troops were mired in the jungles of southeast Asia, swallowed up by a plot device of the Cold War.
And it wasn't so long ago that the phenomenon of real quicksand—not the metaphor, not the gag—flummoxed the nation's leading physicists. Could all these anxieties be related? Might our fascination with quicksand reflect some more singular preoccupation—a broad cultural reckoning, even—with ambivalence and instability?
Before we can answer those questions, let's pinpoint when quicksand's status began to falter. Carlton Cuse, the longtime television producer, offers a clue. He didn't write any quicksand into Lost, but he did put some in another show, years earlier. So there you have it: For one pop-culture professional, at least, the gag still had its mojo back in October By the time the Lost pilot was aired in the fall ofit had disappeared.“The first order of business for the Church,” says Peter D.
Beaulieu, the author of a new book on the effect of the past half century on youth, “is to be what it is—the sacramental and. note (c. ), quoted in Genius: The Life and Science of Richard Feynman () by James Gleick, p.
5 (repeated p. ) I had too much stuff. My machines came from too far away. Reflecting on the failure of his presentation at the "Pocono Conference" of 30 March - 1 April interview with.
Get the latest news and follow the coverage of breaking news events, local news, weird news, national and global politics, and more from the world's top trusted media outlets. Paul Kingsnorth is a writer and poet living in Cumbria, England.
He is the author of several books, including the poetry collection Kidland and his fictional debut The Wake, winner of the Gordon Burn Prize and the Bookseller Book of the Year Award.
Kingsnorth is the cofounder and director of the Dark Mountain Project, a network of writers, artists, and thinkers. People are unaccountably convinced that there is an upward trend in severe weather events due to global warming.
But there is no upward trend in the data on either the frequency or severity of those events. Aug 23, · Quicksand once offered filmmakers a simple recipe for excitement: A pool of water, thickened with oatmeal, sprinkled over the top with wine corks.